Tuesday, April 5, 2011

Phoebe Anne Mosey ~ aka Annie Oakley

Phoebe Anne Mosey was born August 13, 1860 in Patterson, Darke Co., OH to Jacob Mosey and Susan Wise. Her father died when she was young, and Phoebe was sent to the county poor farm. At age 10, she was sent to work for a family who treated her cruelly; she called them "the wolves."

Eventually she ran away from them and was reunited with her mother. She helped support her family by shooting game in the nearby woods and selling it to a local shopkeeper. Her marksmanship paid off the mortgage on her mother's house and led her to enter a shooting-match with touring champion Frank Butler on Thanksgiving Day 1875. To Butler's astonishment, the 15-year-old beat him in the competition. Butler fell in love with her and they were married the next year.

For the next few years, Frank toured with a male partner, performing feats of marksmanship on stage. But when his partner fell ill on May Day in 1882, Phoebe replaced him and won instant accolades for her shooting skills. Soon Butler began managing the act, leaving the spotlight to her. Around this time she adopted the professional name Annie Oakley, apparently from the town of Oakley, OH.

Oakley joined the vaudeville circuit, making her own conservative costumes and distinguishing herself from the more risqué look of other performers. At one 1884 event in St. Paul, MN, Oakley attracted the attention of legendary Native American Warrior Sitting Bull who "adopted" her and named her Watanya Cicilla or Little Sure Shot. The nickname stayed with Oakley as she rose in the show business ranks.

Sitting Bull with Buffalo Bill
She joined Buffalo Bill Cody's Wild West in 1885 and performed in the show for most of the next 17 years. Oakley dazzled audiences with her shotgun abilities, splitting cards on their edges, snuffing candles and shooting the corks off bottles. While maintaining her modest wardrobe, she also knew how to please a crowd, blowing kisses and pouting theatrically whenever she intentionally missed a shot.

Oakley's career took off when she performed with Buffalo Bill Cody's show at the American Exposition in London in 1887. There she met Queen Victoria, who called her a "very clever little girl." She wowed the British papers. Despite her success, a rivalry with fellow sharpshooter, Lillian Smith, had grown so tense that it led to Oakley's departure from the show at the end of the London engagement. She returned to the theatrical stage and toured with a rival wild west show.

When Smith left the Buffalo Bill show, Oakley rejoined Cody in time for a triumphal three-year tour of Europe that began with the 1889 Paris Exposition. By the time it ended, Oakley was America's first female superstar. But she never forgot her roots in poverty; stories circulated that Oakley was so frugal that she would siphon off lemonade from Cody's pitcher and carry it back to her own tent. "I've made a good deal of money in my time," Oakley said, "but I never believe in wasting a dollar of it." Oakley and Frank Butler gave money to orphan charities, and helped support her mother and his daughters. She earned more than any performer in the show save Cody, but supplemented her income with shooting competitions on the side: With her skills she did quite well on the shooting circuit, hitting 483 of 500, 943 of 1,000 and 4,772 of 5,000 targets.

 
Annie, Frank & Their Dog
Oakley and Butler were in a train accident in late 1901, and shortly thereafter she left Cody's show for good. Within a year she was appearing on stage in a melodrama written for her, The Western Girl. But hopes for a quieter life were dashed in 1903, when William Randolph Hearst published a false article claiming she was in jail for stealing to support a cocaine habit. Oakley, whose "highest ambition" was "to be considered a lady," was mortified, and she ended up filing 55 lawsuits against newspapers that had libeled her, winning or settling 54 of them. That took up the bulk of her efforts until 1910, and Oakley subsequently joined another Wild West show, performing until 1913.  

She then enjoyed a comfortable retirement with Butler in Maryland and North Carolina, hunting and giving shooting lessons to other women and performing at charity events. During World War I, Annie also offered to raise a regiment of crack female sharpshooters, but the government ignored her, so Oakley instead raised money for the Red Cross by giving shooting demonstrations at army camps around the country.

Annie Oakley died on November 3, 1926. Frank Butler, to whom she had been married for 50 years, died 18 days later.

Annie Rogers & The Bank Dick

On a sunny afternoon in October 1901 at the bustling Fourth National Bank of Nashville, TN Spencer McHenry looked up from his work and saw a beautiful woman in fashionable and expensive-looking clothes standing at his teller's window. Smiling fetchingly, she slid a $500 stack of Bank of Montana notes across the marble counter toward him and politely asked if he'd be kind enough to exchange the small bills for large ones. The woman's name was Annie Rogers.

Little did
Annie suspect that bank employees were on the lookout for notes stolen in the Great Northern Train Robbery the previous July. The alert McHenry reported his findings to head cashier,  J.T. Howell. Mr. Howell called the police and bank president, Samuel J. Keith. Howell and Keith invited Annie to accompany them into an office, where they told her the bills were stolen.
Detectives Jack Dwyer and Austin Dickens arrived quickly to question Annie, who denied signing the bills. She insisted that, if the bills had been stolen, she surely didn't know a thing about it.

Pressured by the detectives, Annie finally said a "little blonde man named Charley had given [the bills] to her" in Louisiana. The pair had traveled together for about two weeks from Omaha to Louisiana where Charley continued on to New Orleans and Annie to Shreveport. Annie insisted that the $500 was hers, that she had earned it. Dwyer and Dickens would have none of that, and took her off to police headquarters to be further questioned by Lieutenant Marshall.Annie gave only one of her names, neglecting to tell the dicks that she was also known as Delia Moore or Maude Williams. Other than that, she uttered only the same words about the fictional Charley, repeating that she didn't know the bills were stolen. This "non-denial denial" caught the attention of Justice Hiram Vaughn, who issued a warrant charging Annie with attempting to pass forged National Bank notes.

Annie's arrest was called "one of the most important captures in recent years..." by the Nashville American, which described her as "somewhat good looking, not beautiful but not ugly." The American went on to say "She was slender, with a heavy head of dark brown hair, a dark complexion and high cheek bones. Her most noticeable features were two gold teeth on the left side and her piercing black eyes ... [which] fairly danced as she spoke."

The same day the American story came out, the Nashville Banner sent a reporter to interview
Annie, who cheerfully greeted him as he entered her cell, led by Detective Dwyer. She called Dwyer "Happy Jack" and told the reporter he was one of her favorites. It was reported that Annie laughed, smiled and flirted with her visitor throughout the interview. She regretted, she said, that she hadn't brushed her hair properly.

Next day, Annie appeared before Justice Vaughn for a preliminary hearing, wearing a black suit, and a black hat adorned with ostrich feathers. The Banner reported that "a deep frown gathered her brow and her piercing black eyes danced defiantly in answer to the stares of the onlookers." According to Wayne Kindred's article in a 1995 issue of Old West, the following conversation occurred:
 
Justice Vaughn asked her if she had heard the warrant read. "I heard one read yesterday. I don't know whether it is the same one or not," she answered.

He told her that it was the same warrant and asked if she wished to plead guilty or not guilty. "Guilty of what?" she angrily replied. "Of taking those bills to the bank? I took them bills to the bank. Yes, I did that."
 
After Justice Vaughn explained the charges again, Annie entered a plea of not guilty. Vaughn then set her bail at $10,000, and asked her if she wanted to make a statement. "Nothing but that I came by those bills honestly, and I don't see why I should be treated this way. I had used some of the bills before, and I thought they were all right."
 
The hearing must have seriously scared Annie because, by the next day, she was closer to telling the truth, or so it seemed: Her real name was Della Moore, she was 26 and she was born in Tarrant County, TX.

She left home in 1893 and worked as a prostitute in Mena, AK, Fort Worth and San Antonio (at the bawdy house of Fannie Porter). Between Ft. Worth and San Antonio, she had married a farmer named Lewis Walker, but left him because "he was just a poor farmer" and their life on the farm was altogether "too tame" for her. She left Fannie Porter's house for Colorado, Idaho and Montana in late 1900 with Bob Nevils, Will Casey and Lillie Davis (another graduate of Fannie Porter's "college of soft knocks").

Annie claimed not to have asked either Nevils or Casey what they did for a living. "They were just good fellows," she said. Nevils gave her five $20 gold pieces on their return to Ft. Worth where they separated.

Annie split her time between her mother's Ft. Worth home and Fannie Porter's house of ill repute in San Antonio. She then left for Mena, AK where she remained until September 1901. Fannie Porter got word to her that Nevils had come back to San Antonio and wanted Annie to take another trip. Annie responded to the message with a telegram: "Will wait till parties come." Nevils shortly thereafter came to Arkansas to get her.

According to the Kindred article, their first stop was Shreveport, LA where they remained for nearly a week, playing cards and patronizing saloons. Nevils had plenty of money and gave Annie a bunch of $10 bills before they left Shreveport for Jackson, MS where they did "nothing but having a good time."

They took the day coach to Memphis, TN and let the good times continue to roll. Annie guessed they spent around $400 having fun and she especially enjoyed Nevils buying expensive dresses and hats for her. By the time they left Memphis for Nashville on October 10th where they headed straight for Linck's Hotel, Annie had Bank of Montana notes for about $400. She must have been a very good companion, because Nevils gave her at least another hundred. Perhaps Annie was Mae West's inspiration when she said, "When I'm good I'm very, very good, but when I'm bad, I'm better."

As Annie's story unfolded, she admitted spending most of her time at the Lincke Hotel in their room, while Nevils preferred hanging around saloons until the wee hours. Then, Annie said, she began to have misgivings. The more money Nevils gave her, the more suspicious she got. She was also afraid he might take the money back and dump her. A shrewd move by Annie was that she changed the money he had given her into larger bills so they could be more easily hidden from him, and repaired to the Fourth National Bank to accomplish this, where she was arrested.

At the completion of this second statement, cops ran to the Linck and found that Nevils, registered under the name R.J. Whalen, had escaped due to the length of time it took Annie to tell her (false) story. She had given him enough time to make his escape. He had checked out the day before taking the train to Birmingham, AL, thence on to Mobile, where the cops lost his trail.

An incarcerated Annie Rogers might have been daydreaming of her boring days back on Lewis Walker's farm. Even that dull life would be better than a dreary jail. On April 21, 1902, she appeared before Judge W.M. Hart asking for a bail reduction. Her former employer, Madame Fannie Porter, who well deserved her kind-though-soiled reputation, offered to put up the money.

As reported in Kindred's article,
Annie was dressed in a black suit and hat. "Wearing a black glove on one hand and carrying a white handkerchief in the other, she took a seat beside her attorney, Richard West." Attorney General Robert Vaughn prosecuted, his first witness express messenger C.H. Smith who had been brought from Montana to describe the train robbery and link Annie to one of the robbers. He described the robbery ($40,000 in unsigned bank notes on July 3, 1901) near Wagner, MT, and identified a man in a torn photograph shown him by General Vaughn as one of the train robbers. So ended the first day of Annie's bail hearing.

"Kid Curry"
Next morning, a smiling and laughing Annie with the dancing eyes sat in court carrying on a "lively conversation" with a deputy sheriff. She quit laughing as soon as she saw Pinkerton dick Lowell Spence take the stand. General Vaughn showed him the same photograph identified the day before by messenger Smith, and Spence also identified the man as the train robber, one Harvey Logan, member of the Wild Bunch, also called "Kid Curry," and said he was in the Knoxville, TN jail. (Note: After he got into a saloon brawl in Pueblo, Harvey and his brothers headed for Hole in the Wall, Wyoming, where they met up with George Curry. Having been known as the "Kid" in Texas, Harvey took George's last name and began to go by "Kid Curry.") Logan had been arrested December 1901 on a charge of felonious assault against policemen. He had over $9,000 of the stolen Bank of Montana bills on him at the time.

Interestingly, in this damning photograph of Logan, having been identified twice by witnesses, a hand could be seen resting on his left shoulder. In a dramatic moment worthy of Perry Mason himself, General Vaughn whipped out the other half of the picture. The hand was attached to the arm of the defendant, Annie Rogers. The courtroom sizzled with excitement as observers whispered behind their hands. Then Annie took the stand.

She admitted the man in the photograph was Bob Nevils, but denied ever knowing he was also Harvey Logan or Kid Curry, denied knowing where he got the money, and never heard of the train robbery until her arrest. Judge Hart must not have believed any of these corkers because he proceeded to set bail at $2,500, considerably higher than the $1,000 Annie had requested. Even the indomitable Fannie Porter was unable, or unwilling, to pay such a high bail despite Annie's tearful entreaties. Sobbing uncontrollably, Annie was led back to her jail cell where she languished for almost two months until her next day in court.

June 14th saw the same cast of characters in court: Defense attorney West, prosecutor Vaughn and Judge Hart. A plethora of prosecution witnesses were called including bank employees, hotel employees, and detectives, each telling his tale.

Of these witnesses, the most damning was Corrine Lewis, the pretty owner of a Memphis resort, who also identified the photograph of Logan as one of her hotel guests in September 1901.

He had, said Miss Lewis, "plenty of money," flashing a large roll of bills. When she asked him if he were not afraid to carry so much money, he said he "wasn't when he had his guns," whereupon he tore open his coat exposing two large revolvers." Miss Lewis also identified Annie Rogers as Logan's companion, stating that, although Annie was dressed "plainly" when they arrived, the day after that she had been wearing expensive new clothes. She reported that both Logan and Lewis drank a great deal but never got drunk.
 
Next up was Annie herself, nervous and pale. She repeated her denials of knowing who Nevils really was, not knowing the money was stolen, and denying that she ever forged the bills. She did, however, admit that she had "bled Nevils and got all the money I could." She took from him frequently, she said, and had worked him for about $500 by the time they reached Nashville. Annie then stepped down from the witness stand.

Backing her up was a deposition from
Harvey Logan, read by defense attorney West. In it, Logan, at the Knoxville jail, said he had been with Annie at Linck's Hotel the day she was arrested, and that she had left him in mid-afternoon. When she didn't return, Logan "thought that she had quit me." He said that he had given her the money and that it was signed before she got it.

In their closing arguments, prosecutor Vaughn called her a greedy opportunist, a liar, and accused her of aiding and abetting
Logan's escape. Defense attorney West said she was just an unsophisticated country girl who had been duped by a clever criminal.

The jury came back to a packed courtroom with a verdict in fewer than two hours. "Not guilty!!" A relieved and thrilled
Annie Rogers shook hands with each jury member, her lawyer, and the judge. Spectators crowded around her voicing their approval of the verdict, while Annie expressed pleasure at being given a "fair deal."
She then asked for her $500 back, claiming it was her money after all, but the court eventually ruled that she was not entitled to it.Annie Rogers left Tennessee and returned to Texas where she followed Logan's exploits in the papers and wrote to him. Logan was captured in Jefferson City following a fight in a Knoxville saloon where he broke a man's nose in a quarrel and shot two Knoxville Police Officers who opened fire on him.

Pinkerton Men
Logan was subsequently tried, convicted and sentenced to life in Tennessee Prison. Using a wire from a jailhouse broom, Logan engineered his escape from the Knox County jail. He killed himself a few months later after a failed bank robbery.

During his lifetime, Logan/Kid Curry was wanted on warrants for 15 murders, but it was generally known that he had killed more than twice that number. William Pinkerton, head of the Pinkerton Detective Agency, called Kid Curry the most vicious outlaw in America. "He has not one single redeeming feature," Pinkerton wrote. "He is the only criminal I know of who does not have one single good point."

There exists no evidence that
Annie ever saw Logan again, and it is surmised she changed her name once more and went back to work at Fannie Porter's.

Sarah Jane Newman Skull ~ The Scariest Siren in Texas

Unfortunately, there are
no photos of Sally Scull.
Sarah Jane Newman, was born about 1817 in Madison Co., IL to Joseph Newman and Rachel C. Rabb. In 1822 her parents and grandfather, William Rabb, were among the first settlers who arrived in Texas with the Stephen F. Austin's "Old Three Hundred", which in Texas was the equivalent of arriving on the Mayflower.
Her grandfather was given virgin land in exchange for building a gristmill and sawmill in what is now Fayette County. The family had to learn survival tactics, as they were now in Comanche territory where something as simple as failing to extinguish a burning candle could result in death, if marauding savages, aided by the candlelight, shot their deadly arrows through cracks in the cabin walls.

One evening, Sally's mother, Rachael Newman, spied a hostile Indian's foot under the space between the bottom of the cabin door and the dirt floor, trying to raise the door off its hinges. Rachel reached for a double-bit ax, "raised it above her head, and with a quick, swift motion, chopped off the heathen's toes. When other Comanches tried to enter the cabin through the chimney, she set fire to a feather pillow and sent smoke up the chimney," setting them ablaze. She was courageous, crafty and audacious.

Sally inherited a strong constitution from her mother's examples and showed great courage in the face of danger, even as a young girl. Reports Outlaws in Petticoats, "Once she watched as two Indians spied on them from the bushes. At the time, she, her sister and mother were entertaining a neighbor. When the visitor realized that Indians were approaching, his nerve left him, and he pretended his gun was broken. 'I wish I was two men,' he said feebly, 'then I would fight those Indians.' 'If you were one man,' cried Sally, 'you would fight them! Give me that gun!'"

Eventually, the Newmans moved to Egypt, Texas, a safer territory, located upriver from present-day Wharton.


Second only to becoming famous as one of Jack the Ripper's victims would be gaining celebrity as one of Sally's husbands. A man would be joining the ranks of a now-defunct exclusive club of five once-frisky members. Some say Sally didn't always wait to get a divorce, and perhaps took the easy way out. She killed them: "I don't give a damn about the body, but I sure would like to have the $40 in that money belt around it," muttered Sally, referring to the drowned remains of husband four.

Such acquisitive sentiments were not uncommon with Sally, known throughout Texas as a woman who was noted for her husbands, her horse trading, her aim with the two pistols she wore, her forceful language and for hauling cotton and critical supplies for the Confederacy.  She could shoot flawlessly, ride like a man and cuss like a muleskinner.
This is not Sally Scull ... though it sure could have been!
She loved dancing and draw poker and most of all, men. She had a total of five husband-notches in her gun belt, all of whom felt her dominance. "Dogmatic and determined, she possessed so much strength that none of her husbands could stand living with her for very long," states the book, Outlaws in Petticoats.

Sally lived the life of a gunslingin', horsetradin', hardened man, some of that talent having been learned from husband #1, Jesse Robinson. He was born in Kentucky in 1800 and his father had been a soldier in the Revolutionary War. They say he came to Texas in 1827 and in 1831, he received title to one-fourth of a league of land in De Witt's Colony in Gonzales County.

It was as a volunteer in a posse dedicated to the protection of Austin colonists that Jesse first met Sally, then still a little girl. The posse rescued the Newmans from 200 Waco and Tawakoni Indians who were trying to burn them alive. Just imagine the heroic sight of Jesse driving off the marauding savages and coming to the rescue of the Newmans. That would have remained in the mind of any little girl, as it did in Sally's. When she got older, she would marry her hero.

In 1839, Jesse received 640 acres of land for his participation in the battle of San Jacinto and he was present when Santa Anna surrendered to General Sam Houston. In addition he received a certificate for 320 acres in 1838 for serving in the army from March to June 1836, but sold it for $50. That may have been the influence of his new wife, 16-year-old Sally, whom he had married in May of that year. Jesse and Sally subsequently had two living children, Nancy and Alfred, who became a Texas Ranger and fought in the Civil War.

No matter Mr. Robinson's heroic deeds, he became more famous for being the first husband of Sally Scull than for any brave exploits in defense of his kin and country. Legend tells us he should have received a great deal of land just for putting up with Sally, who was not blessed with a kind, serene, wifely nature.

An excerpt from the memoirs of legendary Texas Ranger Colonel John S. "Rip" Ford lends credence to the legend that she would soon become:
It wasn't only self-defense that got Sally riled up enough to shoot. She was described as "a merciless killer when aroused" and there were those who said it didn't take much to arouse her. She decided who needed killing and obliged those hapless men who fell into that unfortunate category. Occasionally, she just had a little gunslingin' fun, like the time word got back to her of nasty remarks a stranger had made behind her back. She found the man and menacingly snarled, "So you been talkin' about me? Well, dance, you son of a bitch!" and began blasting away at his boots with her six-shooters sounding like a Gatling gun and aiming at his fast-moving feet like they were a pair of glass bottles standing still on a stone wall. This caused him to do a mighty fast dance in the dusty street. It sure couldn't have been a waltz. Nobody knows the original remark that set Sally off but it must've been awful insulting.

Another time, Sally ran into a freighter who owed her money. She grabbed an ax and said, "If you don't pay me right now you son-of-a-bitch, I'll chop the Goddam front wheels off every Goddam wagon you've got." He did the only thing possible -- he came up with the money, paid Sally, and lived to tell the tale. Presumably.

She could shoot equally skillfully left- or right-handed, and carried a black-leather-handled, tooled whip with which she could snap the heads off innocent flowers or the skin off the back of a man she believed did her wrong. Not only was she adept at using the six-shooters in the cartridge belt on her hips (French pistols hidden beneath her skirts, when she wore skirts), she carried a rifle and was as good a sharpshooter as Annie Oakley, long before Annie was born.

Jesse divorced Sally in 1843 calling her "a great scold, a termagant and an adulterer," naming as her lover a man called Brown, a fellow who, according to court records, Sally had been harboring in an outbuilding. Gossip suggests Brown might have actually been Sally's next husband, George Scull.

Jesse also claimed Sally abandoned him in December 1841 and Sally countersued, charging that she was the victim of his excessively cruel treatment, claiming he wasted her inheritance and demanding he pay back her dowry. Eventually, she left town with her two kids in tow, planning to earn her living by trading horses, leaving Jesse to continue raising race horses in Live Oak County. (By some accounts, Sally was able to leave with only one child, 6-year-old Alfred, after a bitter, unresolved custody battle with Jesse.)

That same year, 1843, Sally married George H. Scull (the ubiquitous Mr. Brown?), a mild-mannered gunsmith known for his "gentle nature." Poor George was a law enforcement volunteer serving residents of Austin County, and the Sculls lived on land near Egypt that Sally had inherited from her father. A year and a half later, George and Sally left town in a hurry, reportedly due to rising heated hostilities between Jesse and Sally concerning custody of the children.

When they moved, George and Sally sold the last 400 acres of her inheritance, George's prized gun maker's tools, and all the farm equipment. On December 30, 1844, she petitioned for custody of 9-year-old Nancy. Custody was refused, so George and Sally did what they thought best at the time. They kidnapped Nancy and headed for New Orleans. There, Sally placed both children in a convent.

"In a rage, Jesse sniffed out their trail and followed their tracks..." He pulled them out of the convent and placed them in a different New Orleans convent but he didn't reckon on Sally's tenacity. She abducted them yet again and placed them in a third school.

Scull vanished around 1849 and, when asked about him, Sally answered tersely, "He's dead." People were more afraid of Sally than inquisitive about George, and stopped asking. However, records in northeast Texas indicate that around 1853, someone made George's mark on legal papers, leaving a question about his death. We can speculate that he possibly ran off as far as he could from his screaming spouse, or that he was six feet under and that the mark was a forgery. If Jesse were pushing up daisies, we can rest assured that they would've had their sweet little daisy heads snapped off by a black widow wielding a long black-handled whip.

In 1852, Sally Skull (Sally herself changed the spelling from Scull to Skull because she liked it better) bought a 150-acre ranch in Banquete, Nueces County, and married John Doyle who helped her turn Banquete into a trade and ranching center. One of their friends was a practical joker named W.W. Wright, who loved to engage Sally in a game of one-upmanship. The following excerpt is from Outlaws in Petticoats:

Like Scull, husband Doyle disappeared leaving behind two speculative and colorful versions of his demise. 1) He ambushed and tried to kill his viper-tongued wife but she got to him first. 2) Sally and Doyle were doing a drunken fandango in Corpus Christi and stayed overnight in a hotel. Unable to awaken her next morning, Doyle resorted to pouring a pitcher of cold water on her head. Waking up instantly but still hung over, she grabbed a pistol and plugged him deader'n a doornail. By accident, she said.Yet a third version for those who don't believe either of the aforementioned, is that one night, Sally caught her drunken husband swilling whiskey from an open barrel; she pushed his head down and shouted, "There! Drink your fill!" This, it is said, is how he really died.

If you don't like any of those theories, how about the one where Sally, Doyle and a group of vaqueros on a freighting trip, came upon a swollen river. Doyle walked down to stop the oxen and wagon from sliding down the deep bank and into the surging water, except the team was unable to stop, and slid down taking Doyle with them. They fought a losing battle with the raging river and all drowned. For this story, Sally is alleged to have said "I would rather have seen my best yoke of oxen lost than my man." Some say Doyle could have swum free but was too frightened of arousing his wife's ire at his having lost the team of oxen.

In the mid-1850s a European tourist recorded her activities and reputation:
The last incident attracting the writer's attention occurred while he was at Kinney's Tank, wending his way homewards from Corpus Christi Fair, 1852. He heard the report of a pistol, raised his eyes, saw a man falling to the ground and a woman not far from him in the act of lowering a six-shooter. She was a noted character named Sally Scull. She was famed as a rough fighter, and prudent men did not willingly provoke her into a row. It was understood that she was justifiable in what she did on this occasion, having acted in self defense.
Once Sally sold a man named Wright a horse with a blind eye, a feature he missed when examining the animal. That afternoon, the nag was meandering behind Wright's house when the poor creature stumbled on the underground cistern. The horse plummeted headfirst into he ranch drinking water, where it met a watery death. Wright was left with the huge task of trying to remove the carcass that lay deep down in the cistern, out of reach of normal ranch equipment.
Wright thirsted for revenge. He challenged Sally to a race, a favorite diversion in Banquete. In clear view, Wright paraded his newly acquired horse, Lunanca. Sally knew that the name was Spanish for a horse that is "hipped," or with one hip raised above the other. No fool, she saw this as a chance to take her friend once again. She knew there was no way Lunanca could outrun her mare. She laid down $500, high stakes at the time, and Wright eagerly covered. The town watched as the sad-looking horse hobbled to the starting line. When the shot fired, Lunanca, crazy with excitement, took off like a bullet, leaving Sally's horse in a cloud of dust. A seasoned horse trader, Sally had been taken by a mischievous cohort and a second rate horse with bad hips who loved to run.
About 1855, Sally married husband #4, Isiah Wadkins, but left him after only five months because, according to court records, he beat and dragged her nearly 200 yards. He must've been pretty darned strong, or else maybe he had her tied to the leg of a horse. The records don't say. Sally also proved he was actually living with a woman named Juanita. Her divorce was granted on the grounds of cruelty and adultery.
Some of her neighbors suspected that she was a horse thief, and did the dastardly deed of stealing stock from her friends. Her method allegedly began with a friendly visit and, while Sally talked amiably with her host, her vaqueros were casing the ranch, cutting barbed wire and running the neighbor's horses off. Indians took the fall for this treachery. Some even said bands of Comanche were on Sally's payroll, so she got the stolen horses every which way she could, and they were promptly given her Bow and Arrow brand, though some sources have her brand as Circle S. It was also said that her brands might not stand close inspection. However, entered in the Records of Marks and Brands of DeWitt's Colony at Gonzales on September 25, 1833, we find the following:

Sarah Newman wife of Jesse Robinson requests to have her stock mark and brand recorded which she says is as follows, Ear mark a swallowfork in the left and an underslope in the right and her brand the letters, J N which she declares to be her true mark and brand and that she hath no other. Sarah (herXmark) Newman [Records of Marks and Brands in the District of Gonzales for 1829, DeWitt's Colony" (County Clerk's Office). Gonzales, Texas, p. 51.][The instrument makes clear that the brand is hers and appears on her livestock. Since her father died only two-and-a-half years before that time, it is obvious that the brand, her father's initials, as well as the cattle which bore it, was hers by inheritance.]

Sally began to make the dangerous journey across the border into Mexico for horses. Usually alone, carrying large sums of gold in a nosebag hanging over her saddle horn, she bought herds of wild mustangs, which she frequently sold in New Orleans.

Most women would not have dared to do anything so fraught with peril, but Sally was not most women. She encountered a problem only once, in the territory of Cortina, when a bandit and self-proclaimed governor jailed her for a few days. Sally seemed to regard it as a sort of vacation and just sat and waited for her vaqueros to arrive.
Cotton Freighting
When the Civil War broke out, Sally saw a surefire way to make even more money: Texas cotton, sorely needed by European manufacturers, through Mexico to Europe and, on the way back, arms and other military supplies from Europe through Mexico to the south by rail. The Camino Real north from Matamoros to Alleyton where the Houston railroad line ended, formed what became known as The Cotton Road. Banquete was the midway point.

When Sally was traversing The Cotton Road with her teamsters, her favorite outfit was a buckskin shirt, jacket and chibarros, long rawhide or coarse cotton bloomers tied at the ankles with drawstrings. During winter, she often wore chibarros of bright red flannel. Her grandchildren later remembered that she sometimes "sported a fancy wrap-around riding skirt. Her two ever-present French pistols were always hidden in her skirt when she wasn't sporting her holstered six-shooters."

Lottie Deno
Unlike Lottie Deno, Sally was no fashion figure. Old newspapers report her as dressing solely in rawhide bloomers, making it easier for her to ride astride Redbuck, like a man. Others say she rode sidesaddle and wore a long skirt or dress and a bonnet. John Warren Hunter wrote:

The conversation of these bravos drew my attention to a female character of the Texas frontier life, and, on inquiry, I heard the following particulars. They were speaking of a North American amazon, a perfect female desperado, who from inclination has chosen for her residence the wild border-country on the Rio Grande. She can handle a revolver and bowie-knife like the most reckless and skillful man; she appears at dances (fandangos) thus armed, and has even shot several men at merry-makings. She carries on the trade of a cattle-dealer, and common carrier. She drives wild horses from the prairie to market, and takes her oxen-wagon, along through the ill-reputed country between Corpus Christi and the Rio Grande.

I met Sally at Rancho Las Animas near Brownsville ... Superbly mounted, wearing a black dress and sunbonnet, sitting as erect as a cavalry officer, with a six-shooter hanging at her belt, complexion once fair but now swarthy from exposure to the sun and weather, with steel-blue eyes that seemed to penetrate the innermost recesses of the soul -- this in brief is a hasty outline of my visitor -- Sally Skull!

Sally spoke fluent Spanish, had a fondness for Mexicans, and hired them to work in her business of freighting cotton by wagon train to Mexico in exchange for guns, ammunition, medicines, coffee, shoes, clothing, and other goods vital to the Confederacy. She had a reputation of ruthlessness and of ruling the armed trail hands with the crack of her whip, fueled by a hasty and nasty temper. Nonetheless, the trail hands (teamsters) developed a healthy respect for such a woman who knew so many cuss words, the type of words that would "scald the hide off a dog." They were also impressed with her prowess with pistols. Her expert cussing also impressed a preacher Sally met on the trail.

Sally was hauling freight to Mexico when she came upon the preacher who had inadvertently mired himself and his two-horse buggy down in the muddy road. All he could do was shake the lines up and down on the horses' backs, to no avail. They refused to pull. Suddenly Sally rode forward and yelled loudly as only she could, "Get the hell out of there you sons of bitches!!! Get the hell out!!!" whereupon the horses bolted, freeing themselves, the buggy and the preacher. They were seen running on down the road. The preacher managed to get himself and the buggy entrapped in the muck a second time, ran back to get Sally, and said, "Lady, will you please come and speak to my horses again?"

Sally's magnificent Spanish pony named Redbuck, was almost as famous as she was. Gifted with legendary endurance, a necessary quality for a horse who wanted to please his tempestuous owner, Redbuck was blanketed in bright colors and ridden under a fine Mexican silver-trimmed saddle. Sally failed to understand that she had passed on her affection for Redbuck to her daughter, who felt the same way about a pet dog. Nancy had been sent off to New Orleans to become a lady, and it was said that Nancy became so refined that she valued her dog above people. One day when Sally was visiting, she became enraged when the dog tried to bite her, drew her gun and blew him to smithereens. Nancy never spoke to her mother again.

Sally was at her "peak of notoriety" when she met and married husband #5, a man half her age named Christoph Hordsdorff, nicknamed "Horse Trough." One old-timer who knew 21-year-old Horse Trough described him as being "... not much good, mostly just stood around."

As the story goes, Horse Trough and Sally rode out of town together one day. Only one rode back.

Horse Trough returned alone to Banquete. "She simply disappeared," was all he said, which probably aroused more gossip than if he had admitted outright that he plugged her. Speculation abounded that he "blew off the top of her head with a shotgun" for the gold in her saddlebag. Let's face it though, if he was 21 to her 43, and good-looking enough to just have to "stand around," chances are she would've willingly handed the gold over.

A drifter later reported that as he was traveling over the prairie, he came across the body of a woman buried in a shallow grave. He first spotted it when he saw a boot sticking out of the ground, with only circling buzzards marking the spot. There was no evidence that the boot was on a foot connected to the body of Sally Skull. Presumably, Horse Trough inherited her entire estate.

What if he didn't do old Sally in after all? Records indicate that she faced perjury charges and was defendant in a lawsuit brought by Jose Maria Garcia. Even though the San Patricio County Courthouse burned down and official reports on the case were lost forever, one form relating to the lawsuit survived. Written across the bottom was the mysterious notation "death of Defendant suggested."


Edited from info found at Wikipedia

Lillian Francis Smith

This brassy Californian emerged as Annie Oakley’s only serious female rival in Buffalo Bill Cody’s Wild West show. Oakley eventually prevailed, but at a price; she lopped six years off her age to compete with the younger shooter.

Lillian Frances Smith was born in 1871 in Coleville, Mono Co., CA. At the age of 7, she became bored with dolls and asked her father for a "little rifle" instead. She performed in San Francisco at age 10, and soon her father offered a five thousand dollar wager that no one could beat her. This was not an idle boast; she challenged Doc Carver, one of the era's best-known marksmen, to a competition in St. Louis, and he never showed up. Buffalo Bill Cody discovered her while touring in California, and she joined the Wild West in time for its summer 1886 run on Staten Island. The 15-year-old Smith became The Champion California Huntress.

Annie Oakley had made her name besting male sharpshooters, and Smith represented her first female rival. The two women were experts in different weapons -- Oakley favored the shotgun, while Smith preferred the rifle. But relations between the two quickly deteriorated. One reason was Smith's personality: she liked to brag and could be heard declaring "Annie Oakley was done for" now that Smith was part of Cody's show. Smith spoke coarsely and wore flashy clothing, both qualities anathema to the more conservative Oakley. In addition to these other shortcomings in Oakley's eyes, Smith was apparently a shameless flirt, perhaps promiscuous. Smith was also younger, and that may have threatened Oakley. Her actions certainly suggested that Oakley felt some pressure; that summer she started telling people that she was born in 1866, chopping six years off her real age and narrowing the gap with 15-year-old Smith. Oakley had a new outfit made for the Wild West's opening parade, one that said "Oakley" on both sides.

The growing feud between the two intensified when Cody's show went to London in the spring of 1887. Oakley was criticized in the press for shaking the hand of Prince Edward's wife first, while Smith, who had done the same thing, was not singled out. Although it was Oakley whom Queen Victoria praised when they met, a London illustrated newspaper chose to run a drawing of Smith being presented to Her Majesty instead. Most galling of all, an American magazine ran a crude letter from "a California[n]" saying Smith was "knocking the English shooters crazy" while Oakley "was being left out in the cold."

This was nonsense; Oakley still received the lion's share of praise in the press and from British sportsmen. But Cody declined to reply, leaving the task to Oakley's husband Frank Butler and the Wild West's announcer Frank Richmond. Oakley had the last laugh where it counted, on the nearby shooting field of Wimbledon. Two days after Smith had embarrassed herself with a poor showing, Oakley arrived and shot so well that Prince Edward stepped forward to congratulate her. Still, relations with both Cody and Smith had deteriorated to the point that Oakley decided she could no longer go on with the Wild West show, and she left it at the end of the London season.

It is likely that the California author was one of Smith's friends in the Wild West, perhaps her new husband Jim "Kid" Willoughby, also known as Jim Kidd, a cowboy from Wyoming. Whatever its objective, the publicity campaign on her behalf failed; her performance at Wimbledon was ridiculed, and a California newspaper mocked the polished language ascribed to her in one interview. Saying things like, "Swing de apple dere, young fellers, an' let me bust his skins," was more her style, the paper reported.

Even worse, allegations surfaced that Smith was cheating in her Wild West act. Although Cody himself would snub Oakley and talk up Smith in his later account of the meeting with Queen Victoria, he must have realized that Smith would never be the draw that Oakley was. Sure enough, Smith left Buffalo Bill's show just in time for Oakley to rejoin it in 1889.

Smith would never work with Cody again, but she tried to remain in the public eye, challenging Oakley to a shooting match. Oakley declined. Smith turned up a year later, in Mexican Joe's Wild West with her skin darkened and her stage name changed to Princess Wenona, the Indian Girl Shot. The two female shooting stars did meet once more, both competing in the 1902 Grand American Handicap. Oakley out shot Smith that day, and then they went their separate directions, Oakley upward and onward into general acclaim, and Smith down into obscurity.